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How to Paint Like the Old Masters, by Joseph Sheppard
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About the Author
Joseph Sheppard is a renowned artist whose work has appeared in various galleries, including the National Portrait Gallery and the Carnegie Institute Museum of Art. He studied at the Maryland Institute of Art and has written numerous guides on art, including How to Paint Like the Old Masters, Drawing the Figure, and Anatomy: A Complete Guide for Artists.
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Product details
Paperback: 144 pages
Publisher: Watson-Guptill; 1st edition (September 1, 1983)
Language: English
ISBN-10: 9780823026715
ISBN-13: 978-0823026715
ASIN: 082302671X
Product Dimensions:
9.1 x 0.4 x 12 inches
Shipping Weight: 1.5 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
85 customer reviews
Amazon Best Sellers Rank:
#57,669 in Books (See Top 100 in Books)
This is an excellent book if you have a little bit of painting experience and are looking to 'carve out' the shadows and highlights. Goes through a step by step account of each master's style. I definitely recommend this if you are a painting or an art student.
The first thing that struck me as I browsed the book is the woeful quality of many of the images, with some being out of focus. This problem is also apparent in the other two books by Watson Guptill that I think compliment this one well. Kreutz "Problem Solving for Beginners" and Cateura "Oil Painting Secrets from a Master". If you are looking to paint in a realistic style in the vein of Caravaggio, Rembrandt etc. then you will find plenty of information in these three books.However all three deal with technique and for me the ability to discern the brushstrokes is a critical part of the learning exercise i.e. is the artist using impasto or thinned paint? With these images it's impossible to tell. Hopefully WG will revisit each of these books and bring the images up to scratch.Joseph Sheppard provides "how to's" allowing the reader to emulate the techniques of: Durer, Titian, Veronese, Caravaggio, Rubens, Hals, Rembrandt and Vermeer. Information on how to create specific paint mediums used by that particular artist, mixing paints, painting surfaces etc. He makes no claims that any of the information offered is absolute. As well as conducting his own studies on how to achieve a certain painterly effect he has also drawn on technical information published by the various "art experts" (listed in the bibliography).Results of recent studies of old master paintings indicating that the current thinking on techniques might be wrong. The old masters would typically have a team of apprentices working alongside them, mixing paint, painting parts of the painting that the master was probably too bored to bother with (as well as good training for the apprentice) etc. The Master/Apprentice setup allowed for a continuous stream of knowledge being passed along the generations. However as oil paint technology advanced, in particular the ability to buy premixed paints off the shelf, the painter no longer needed a team of apprentices. He could pretty much get by on his own. Hence there was no longer anyone for the painter to pass on his knowledge to. This resulted in a considerable amount of technical knowledge being lost. (A good example is the recent theory promulgated by David Hockney that the old masters were able to paint such realistic paintings as they used rudimentary projection techniques to place a guide image on the canvas, overwhich they painted. No one knows if he is right or wrong).From the 1800's on, technical experts such as Charles Eastlake ("Methods and Materials of Painting") and Max Doerner ("The Materials of the Artist") began to impart their wisdom on how the old master paintings were created. But the techniques thay had available were very rudimentary, more often than not being a case of the expert trying to reproduce a certain style and looking at the painting surface close up. The experts proferred their theories and techniques, often with much aplomb leaving no room for doubt. Unfortunately they were often quite off the mark - they could emulate a style somewhat but never 100%. There are too many variables involved even for a discerning eye. It has only been with recent advances in scientific analysis, chemical and visual, that a truer understanding of the old master technique is finally being determined. Van Wettering's excellent "Rembrandt - the painter at work" book details the findings of extensive research carried out on a number of paintings considered to have been painted by Rembrandt. The book is 340 pages, and they still haven't got all the answers. But what they have done is to throw in to doubt the theories and techniques of the 19th/20th C experts.There is a welter of information in this book, but if you are trying to perfectly replicate a certain old master painterly technique, and failing to do so, then be warned the experts might not be such experts afterall.All said and done, I do recommend this book for the wealth of information it contains. Numerous recipes for mediums, varnishes, mixing paints, painting surface etc., along with a well presented demonstration of each painters technique. This book might not quite get you to a 100% replication of the desired technique but it will certainly get you close. And as science uncovers more knowledge about the "real" techniques they can be applied here accordingly.It is not a book for beginners - a rudimentary understanding of the oil painting process is reqd at minimum. Beginners might want to check out Brian Gorst's "The Complete Oil Painters" also.
I bought this book based on the reviews here and I wasn't disappointed.What was really good about the book was that the images shown are of a reasonable size. In many books the images are too small to really see the painting technique clearly. Each painting is also shown in quite a few stages of completion so you can really clearly understand the painting process being demonstrated. The descriptions given of each technique were also very clear and well written.What I most disliked about the book was that many of the paintings in the book were done in the 1970s and so looked quite dated.This is a great book, but I wouldn't recommend it for beginners - you need to know the basics of painting and colour mixing etc. first.It doesn't give the final word on painting like the masters, I'm still interested in reading more about it, but this book was a great starting point and well worth buying.
How To Paint Like The Old Masters is a must have book for any serious artist. Mr. Sheppard covers the greatest artist of all time and gives both a verbal and pictorial description of how it was done. He is especially good at showing the importance of mediums and glazing in painting. He also gives reasonable time estimates of how long it takes to create such a painting.What he doesn't do is show how impressionist, and other modern, painting is done. He is showing how to paint realistic pictures and there is next to nothing on more modern painting methods. When he says Old Masters he means Rembrandt, Vermeer, Rubens, et al.The cover shows how some of the Old Masters did it. They started with a very detailed under painting in grey tones and then advanced to color. This book illustrates that kind of technique - for the most part.Some say this book isn't for beginners. Perhaps a person brand new to painting would find the text difficult; however, for anyone who has been painting for any length of time I think this book would be helpful IF you want to try for realistic paintings in the style of the old masters. If your style is more impressionistic or if you feel you must advance away from the realism of Direr, and others, then this book would not be worth the money. I will say without reservation that the under painting in grey tones will immediately improve your paintings. It takes a LOT more time, but the results are hard excellent.For the artist looking for realism and trying to depict the world as the old masters did this book is a wonderful find.
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